Further unreleased music as "Schaffer".

Kandi and Tiny

Off The Hook: Unreleased demos from the early 2000s!


The Truth About Choice.

Arika Kimble

A career ruined by


The First Lady of SoulPower.

Wednesday, October 27, 2021

Ala: You Know To Turn Me On (Promo EP) (199x)

Another obscurity from Maryland and a blend of New Jack Swing and modern soul for grown folks. No label or artist information to be found – there is no artwork - but the sound is very early 90s with real instrumentation and great soul vocals. "I'm So Ready" is particularly divine but also includes a great remake of Regina's "Dream In Color" and "Tell Me", a reply somewhat to Lionel's "Hello". 

Dream In Color (Remake) 3:18 
Undivided Attention 4:11 
Live For You 3:43 
You Know How To Turn Me On 4:33 
Tell Me 5:09 
When I'm With You 5:14 
I'm So Ready 4:24 
I Just Can't 2:29 

Chrystal Johnson: Got The Blues (Promo CDM) (Egyptian Fusion Music, 200x)

When I first listened to Johnson’s smoky delicate alto, I immediately thought of Faith Evans and rightly so as the artist – like Evans – got her start at Uptown Records. While under Andre Harrell’s wing, she was a vocal coach for Usher and R&B group Total before working on the Who’s the Man? soundtrack in 1992 and appearing alongside such esteemed artists as the Notorious B.I.G. and Jodeci with the New Jack Soul-inspired “Loving You”. Other notable places her vocals can be heard is Pete Rock & CL Smooth’s “Take You There” and Mobb Deep’s “Temperature Rising”, the latter of which reached #3 on Billboard’s R&B/Hip Hop chart in 1995. As for the above single, it has pretty much flown under the radar but was recorded in 2000 according to the Johnson’s own You Tube channel. Pete Rock pops in to cameo on the interlude while production on the bonus cut “Go” comes from Rashad “Tumblin Dice” Smith. Great neo…hip hop soul from a fantastic vocalist who should’ve been up there with Evans and Blige but somehow is yet to get the break she deserves.
Interlude 0:54
Got The Blues (Main Radio) 4:19
Go ft. STIC from dead prez[Bonus Track] 5:07
Got The Blues ft. P2Kay & Baby Paul (Remix) 5:07
Got The Blues ft. P2Kay & Baby Paul (Remix Instrumental) 5:08 

Tracella: Demo (Self-Released, 200x)

Formally a featured vocalist on “A G’s Life” by Gee-Relah, sassy and talented female vocalist Tracella steps out on her own with a fantastic first effort representing the Midwest. From the haters anthem “You Ain’t My Friend” to smooth mid-tempo cut “On My Way”, it seems this one was almost lost in the G-Funk and Hip Hop category but was fortunately found by my co-contributor Stuaaart and snapped up at auction for a very reasonable price. An additional track from the artist - who hails from Kansas City, Missouri - can be found on You Tube and there is talk of new music in 2021 so if you like what you hear, be sure to keep her on your radar.

You Ain't My Friend 3:52
On My Way 4:07
I Like It Like That 4:40
First Date 3:53
On The Floor 3:27
Should Have Waited 4:16 

Sunday, October 24, 2021

Marcia: Demo (''O'' Productions, 200x)

Another unknown from the New York area and somewhat of a chance find in a lot of underground hip hop CDs. No information about the artist but aside from a few features on some underground rap tracks, the music is contemporary R&B with a smooth, mostly timeless sound and a slight but sweet vocal. Top tracks include the smooth R&B-flavored "Be Real" and the fantastic rendition of Antia Baker's "Angel". 
You're The Only One 3:30 
Feeling You 4:27 
Ride With You 3:21 
Mad At The World 3:57 
Who Am I 3:14 
Swing It 4:15 
Be Real 4:39 
The Time Is Now 4:11 
Angel 5:11 
Giving You All 1:53 
Hold On Me 4:50 
When It's All Over 4:17 
I Ain't The One 3:57 

Erin: Demo (McDonald Marie Productions, 2003)

Another unknown from Long Beach, California and three tracks early Beyonce-esque slow jams and a cover of “Jesus Born on This Day” that makes Mariah Carey’s own version from 1994 seem tame in comparison. The artist may have been signed to Ryan Leslie’s NextSelection label at one point and appeared on Ryan Leslie’s NextSelection Lifestyle Group Mixtape from 2004.
Far Away 4:33 
I Love U 4:15 
Jesus, Born On This Day 3:54 

Tracy Lane: Demo (200x)

Further music from Long Beach with Tracy Lane (incorrectly listed as Tracy Kane), a male singer/songwriter that has remained pretty underground despite having a very contemporary R&B/soul sound. From the the blues-flavored "Life Of Mine" to the R. Kelly-esque “Hold It Down”, he was definitely an artist that didn’t belong in the background. There was no track list on the disc but the titles were retrieved from the Grace Note database so whether this set was released at some point independently, I cannot say. He performed a lot with fellow Long Beach artist RIDIKULE and even appeared on a few of his tracks, but aside from one single “Cold World” which was released in 2018, there’s nothing else that seems to be widely available from him. 
Mate    4:59
Rules    3:55
Girl    2:29
Streets Of Mine    4:01
Retarded Bounce    4:03
Girl (U Know That I Want It)    3:56
Perfect Lady    3:52
My Pops    4:12
Spell    5:10
Life Of Mine    4:33
Imperfections    3:43
Hustla    3:29
Hold It Down    3:55

Thursday, October 14, 2021

Elsie Muniz: The "Urban Latina"

Towards the end of the 90s and going into the new millennium, it seemed that most pop artists had at least one Latin-sounding song on their album (Toni’s “Spanish Guitar”, Mariah’s “After Tonight” et al). Though the sound wasn’t exactly new in the U.S., where I was in Britain this was pretty much a new thing for us. Sadly though, it was always a little too geared towards pop music and artists such as Ricky Martin and Jennifer Lopez. Despite the market for Chicano Rap and Hip Hop music, there was never really much of a demand for R&B and what was even worse, some artists such as Elsie Muniz, felt that they needed to explain why they weren’t like everybody else. The intro on Muniz’ album speaks volumes at how narrow-minded some of these labels were: “Growing up I had a lot of exposure to different cultures…I think the diversity of my upbringing helped to mold me as an individual. It’s me being Latin and growing up in a black neighborhood (that) was a blessing because it helped blend two worlds together…I just hope that the public can hear all these things through my music…” Of Puerto-Rican decent, Muniz grew up in a traditional Latin family but wanted her music to reflect “everything she grew up with.” Unfortunately, it seemed that her label wasn’t entirely comfortable with this. Muniz was one of three female R&B artists signed to A. Haqq Islam’s University Records label, whose biggest success story back then was Dru Hill, but not feeling the need to explain why as Latina she was singing R&B instead of striving to be the next Selena, she moved on pretty quickly and her album “Urban Latina” was never released. We were fortunate enough to find a cassette sampler last year containing some of these lost tracks but until now the full project had never surfaced. It had been cataloged on Discogs for about a year wherein it was said that it had a limited digital release in 2008 but I have thus far found no proof that it ever was. Formally hearing Brandy’s version of “Fooled by The Moon” when it leaked back in 2009, I have always been curious about Muniz’ version and about Mya and Terry Dexter’s involvement on it. Originally written by Diane Warren, I am unsure about who recorded it first but Brandy’s version was said to be cast off from the recording of her sophomore album “Never Say Never” in 1998. Brandy’s version was a typical 90s Babyface production but Elsie’s version stays true to her Latin roots with both Mya and Terry Dexter each taking turns in singing. Timbaland’s “As We Danced,” with Muniz’ sultry vocals and infectious hook, was also a possible follow-up single that never was. The album is predominantly very upbeat with hard-edged beats and Latin guitar riffs throughout but the one exception to the rule is the blues-soaked “Oklahoma City” with the great Terry Dexter. Altogether a very colorfully promising debut album from Muniz, who along with Sierra, was a superior product to J-Lo. Why the label was so hung up on making it an issue of race, I’ll never know.

Interlude    0:17
You Drive Me Crazy    5:07
As We Danced    4:29
La Gata Negra (The Black Cat)    4:14
Take Control (Feat 1 Life 2 Live)    4:57
Does She Know    3:36
Your Eyes    4:12
Lost With You    4:41
Fooled By The Moon (Feat Mya & Terri Dexter)    4:21
What If    5:54
Giving Up On Love     3:48
Oklahoma City (Feat Terri Dexter)    4:29
Tus Ojas (Your Eyes Spanish Version)    4:13

Muniz with Nino Brown   

Saturday, October 9, 2021

MQ3: another causalty of Chris Stokes

Over the years I have had the pleasure of sampling many unreleased projects and across many of them two names always seem to come up: Sylvia Rhone and Chris Stokes. While Rhone had spoiled many quality R&B projects when she was the head of East West Records and later Universal Motown, Stokes has also left behind a trail of casualties in his wake not limited to the short-lived quartet Gyrl and early projects by two of the Chilombo girls. The above was another such group and whose only single “Everyday” was written by Stokes and produced by Rodney “Darkchid” Jerkins in 1997. Signed to Virgin’s short-lived Noo Trybe imprint, they were also co-signed to Get Hooked Records which I believe was affiliated with Stokes in the mid to late 90s. There is little information about them aside from a few very brief mentions in some 1997 issues of Billboard magazine but according to one member Shadie who commented on their You Tube video, they completed not one but two albums. Continuing on she says “Unfortunately, things did not pan out with the management and production team we signed to so it got lost in the shuffle.” A very common story that we have unfortunately heard many times before. Admittedly, I was not the biggest fan of “Everyday”; to me, it did not have the same bodacious vibe as Mary’s “I Can Love You” or Brandy & Monica’s “The Boy Is Mine” and I can’t help but think that it was just pushed as a first single primarily to cash in on the rising popularity of Jerkins at the time. I think this group could’ve done better. Well, it is a long story us finally getting this tape but I can say that indeed “Everyday” was just the tip of the iceberg. From the funk-driven “Love Jones” to the love-making of ”Don’t Make Me Stop” and “Love Letter” to the smooth R&B sounds of “Serving Me” and “Share My World”, every track on it is like a chronology of the best sounds from the latter part of the 90s. They were basically what I imagine Gyrl would’ve sounded like had they ever released an album back then. Aside from Jerkins on “Everyday”, I am inclined to believe that Stokes produced quite a few tracks on here, namely “Share My Love” which features one of his short-lived MCs from back then Spark. It is often assumed that they were Jerkins’ group (a producer who despite his immense popularity in the late 90s/early 2000s also had his fair share of casualties) but now I am leaning more towards Stokes as being the main driving force behind them which is probably one of the main reasons why they sadly didn’t go anywhere. As for their other album, I can only dream of how great that one was as well.
Everyday    3:26
Serving Me    3:44
Icing On The Cake    3:30
Cry    3:51
1,000 Times    4:01
Love Jones    4:18
Don't Make Me Stop    4:17
Baby Bay You    4:10
Share My Love    3:54
Love Letter    4:38
Say Goodbye    3:58
Mama Said    3:19
Back To You    4:17
Everyday    3:38

Sunday, October 3, 2021

Mary J. Blige: More unreleased from the "Share My World" era

Over the years I have sampled many unreleased cuts from Mary’s albums and this is by far one of my favorites. Featuring production from Erick Sermon, it was yet another track cut from the “Share My World” album that up until now had only been available on a mix tape. It is probably one of Mary’s hardest tracks to find without shouting all over it but it seems the original source recording originated from the above promo-only tape which predated the album's eventual name. The three other scrapped tracks “Everyday”, “Would You” (aka “Paradise”) and “Always Be My Baby” (aka “Where You Are) do not appear but the b-side track “Don’t Walk Away” does. Before now I never knew that this was a contender for the album but I understand why they left it off in the end. Though it does not have the same crossover appeal that Jerkins’ tracks had for the album, “When I’m With You” on the other hand oozes "old skool" hip hop greatness and would not have sounded out of place following "Keep Your Head" or "Love Is All We Need" on the finished album. Many thanks again to Bert Fartencauf for the contribution!

Hear more unreleased cuts from the "Share My World" era here.